Business News Network

Meet Jonathan Brightman and some of his achievements? Downloading and the internet are both a blessing and a curse for musicians. What is your take on the industry as it stands today? Where do you see it heading? Jonathan Brightman: I think the musician will have to catch up with all this technology. In other words, a band may have to use more of their own words, images, actions and give more of themselves up to be noticed. These days anyone can edit a video and put up content. We’re going to have to learn how to be as creative on several formats now. I was hoping to catch you in LA last year, but you weren’t playing a lot of dates. Will you be touring this year? Jonathan Brightman: We hope to at least hit some territories in Europe this summer. Touring in the U.S. has gotten really political. For example, bigger bands are now doing this thing called “buy ons”, which is basically charging their opening band to get added to the bill. It’s rotten.

Jonathan Brightman and Buckcherry: Josh Todd grew up in the Anaheim Hills neighborhood of Anaheim, California and later moved to Lake Forest, California. Early on, Todd fronted the Hollywood glam rock band Slamhound. He eventually met lead guitarist Keith Nelson through their tattoo artist (Kevin Quinn). The duo made a few demos before being joined by bassist Jonathan Brightman and drummer Devon Glenn, calling themselves Sparrow. Sparrow began performing around the Hollywood club scene, receiving a strong, local following due to their old school rock and roll vibe, and were signed to DreamWorks Records shortly after. The group changed its name to Buckcherry after receiving a cease-and-desist letter from a record label called Sparrow (owned by EMI). Although the band’s name is a spoonerism of the late Chuck Berry, the group said it was inspired by a drag queen acquaintance of theirs named Buck Cherry.

Black Robot is a California-based hard rock band formed in 2008 by bassist Jonathan Brightman (JB). Their debut album was released June 8, 2010 on Formosa Records/Rocket Science Ventures Brightman is a founding member of the Grammy nominated band Buckcherry, co-writing and performing on their self-titled debut album, as well as their follow up Time Bomb. After parting ways with Johns, it was announced in December 2011 that Los Angeles singer Jeremy Aric had joined the band. Soon after, they re-entered a Nashville, TN studio with producer Dave Cobb to record their second album titled Woman.

You sound like all of my favourite bands mashed up; there’s AC/DC, Zeppelin, Black Crowes and The Stones. How would you describe your sound? Jonathan Brightman: I like to just call it Modern Classic Rock. Imagine intercepting rock and roll right where it was before things got awful in the music business and continuing from that point. Right before Nirvana perhaps. All though I love Nirvana it spawned some real shit. And I am still baffled about how Limp Bizkit sold millions of records. Hahahaha.

Over the past decade Brightman Music has been a top Producer Management firm located in Southern California with a presence in New York City and Nashville, Tennessee and London, England. We represent some of the recording industry’s most highly recognized award winning producers, mixers, songwriters and engineers as well as tomorrow’s game changers. We hold a unique emphasis and proven track record on the discovery and development of groundbreaking chart-topping new artists. Our clients work with artists and record labels, big and small from every corner of the globe. We celebrate musical diversity and support artists of all genres. Find even more details at Jonathan Brightman.

The name is something that I had been holding on to for some time. I conceptualized the figure which you see on the album cover and I wanted that figure to represent the band. I think it’s a strong, menacing figure that isn’t too far from something Iron Maiden would use. Like their mascot Eddie, I think as we begin to gain a fan base and get bigger we’ll be able to have our own identifiable figure that can progress as the band does. We wanted the focus to be on the visuals, we didn’t want the focus to be on the traditional thing, band members; four or five guys in the band. There’s nothing original about five guys lining up in a photo, of course we do that too, but that’s not the focus. We wanted to have a powerful figure that would represent the music and what we stand for.