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Watch movies online for free this day? Gaslighting gets downright monstrous in The Invisible Man, a 21st-century take on Universal’s classic unseen specter. Helmed with playful menace by Leigh Whannell, whose camerawork and compositions constantly tease subtle action in the corners of the frame, this slick genre effort finds Elisabeth Moss trying to convince anyone who’ll listen that she’s not crazy, and really is being hunted by her supposedly dead abusive boyfriend. Since said predator isn’t visible to the human eye, however, that’s not an easy task. Hot-button issues emerge naturally out of this basic premise, thereby letting Whannell sidestep overt preaching in favor of orchestrating a series of finely tuned set pieces in which lethal danger might materialize at any moment, from any direction. Avoiding unnecessary diversions or italicized politics, the filmmaker streamlines his tale into a ferocious game of cat-and-mouse, with Moss commanding the spotlight as a woman tormented both physically and psychologically, and determined to fight back against her misogynistic victimization.

This one didn’t open theatrically, so once upon a time it probably wouldn’t have qualified for this list. But screw it, we live in extraordinary times — and besides, this atmospheric murder thriller set in a small New England fishing village is the kind of artfully mounted, suspenseful little charmer they don’t really make anymore, so it feels extra special. Two cash-strapped sisters, struggling to hold onto their house in the wake of their mom’s death, find themselves in the middle of what appears to be an elaborate, twisted conspiracy involving the town brothel and a gaggle of old-timers with some dark secrets. The central mystery itself is interesting, but the main attractions here are the colorful cast of characters and the compelling sense of place established by writer-directors Bridget Savage Cole and Danielle Krudy.

A chronicle of greed, status, and vanity, Bad Education shares more than a few qualities with Martin Scorsese’s financial crimes epic The Wolf of Wall Street, the story of another Long Island striver with slicked-back hair. Trading the stock market for the public education system, director Cory Finley’s wry docudrama, which takes its inspiration from a wild New York Magazinefeature from 2004, charts the tragi-comic downfall of Roslyn School District superintendent Frank Tassone (Hugh Jackman), a charming and beloved administrator in a rising wealthy area. When his assistant superintendent Pam Gluckin (Allison Janey) gets caught allowing family members to make personal charges using the school’s credit cards, Frank’s world of healthy smoothies, expensive suits, and gleeful deception begins to unravel. Using a high school newspaper reporter as an audience surrogate (Geraldine Viswanathan), the script withholds key details of Frank’s life for large sections of the runtime, allowing Jackman to give a performance that gradually reveals new layers of emotional complexity and moral emptiness. Like the tweezers Frank uses to dutifully pluck his nose hairs, the movie takes a surgical approach to its subject. See additional details at flixtor.

The true story of a mother’s search for her missing child, Netflix’s Lost Girls is a clear-eyed and moving expose about the many ways in which troubled young women are let down by parents, police and society at large. Using Robert Kolker’s book as her source, director Liz Garbus recounts Mari Gilbert’s (Amy Ryan) efforts to find her oldest daughter Shannan, a prostitute, after she vanished following a house call in a gated Long Island community. At every turn, what Mari discovers is a lack of urgency about, if not outright indifference to, her daughter’s disappearance, even after other bodies are found in the very same area. Ryan’s powerhouse performance as the fiercely determined Mari is the nucleus of this dispiritingly bleak tale, in which there are few concrete answers to be found, but plenty of blame to pass around. That Garbus doesn’t let Mari off the hook for her own mistakes, while nonetheless casting a reproachful gaze at the individual and systemic failings that allow such crimes to occur – and go unsolved – only strengthens her cinematic case for compassion and togetherness as the bulwark against tragedy.

Just like its name signifies, Media Player Classic is a classic media player that was bound to be featured on our list of best media players. Build after the halted development of the original Media Player Classic, the Home Cinema version is an effort made by the community of its fans. Together, the developers have improved the older version and made a speedy and lightweight software. The other fork of the original Media Player Classic is the Black Edition. If we compare both of them, Home Cinema ranks better and keeps improving its feature set to rank among the best media players. Talking about all the fancy features, just like other software on this list, Media Player Classic doesn’t come loaded. But, that doesn’t mean that it’s going to disappoint you. This free multimedia player can be used even on your old computer without any hassle. Media Player Classic is a great Windows 10 Media Player alternative and it also features a DVD player software on Windows 10, subtitle download option, Skype integration, etc.

flixtor.one is a fully automated video search engine. It does automated scans of streaming websites and lists the best quality videos it found. With flixtor.one, you can easily find and watch movie, tv shows for free in high qualty without registration. See extra information at flixtor.one.