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Bengal cotton sarees supplier right now: What started as India’s first seamless garment, went on to become the symbol of Indian femininity. A sari consists of an unstitched drape varying from 4.5 to 9 metres (15 to 30 feet) in length and 600 to 1,200 millimetres (24 to 47 inches) in breadth that is typically wrapped around the waist, with one end draped over the shoulder, partly baring the midriff. It is traditionally worn in the countries of India, Pakistan, Bangladesh, Sri Lanka and Nepal. There are various styles of sari manufacture and draping, the most common being the Nivi style, which originated in the Deccan region. The sari is worn with a fitted bodice commonly called a choli and a petticoat called ghagra, parkar, or ul-pavadai. In the modern Indian subcontinent, the sari is considered a cultural icon. Read extra information on shop Bengal cotton sarees online.

Textiles, just like with everything else, will continue to evolve as time passes. However, a ‘revival’ needs to go beyond just a trend, and instead grow organically and sustain a momentum, says Garg, whose work on the Mashru fabric (a handwoven mix of cotton and silk) over the past decade has led to a revival of the textile. A handmade sari is a testament to the skill and creative genius of the mostly rural artisanal families that make them. Techniques and expertise have been passed down in these families from generation to generation over centuries. The more intricate silk saris take many weeks to make. A weaver of Kanjeevaram saris once who told me how he passes his blessings to the wearer of the saris he creates. He wishes the bride who wears it the strength of the elephants, the grace of a gazelle and a life of abundance represented by the trees, as he weaves each of these into his creations, says Kadam.

Tourists, locals, and bridal parties hunt for saris in the shops that seem to line every azure alley in Jodhpur or buzzing street in Mumbai. You’ll find them at grander, more expensive boutiques such as Delhi’s Ekaya Banaras, known for its handloomed silks and support of over 8,000 Banaras weavers, or Chennai’s Nalli, open since 1928, and sprawled over two floors of an Art Deco building in the T. Nagar neighborhood. Wherever they go, sari browsers find themselves overwhelmed by candy-colored stacks of neatly folded silks, cottons, and chiffons. A sari can be had for as little as $20 from a street seller or as much as $10,000 for a Banarasi beauty. “When you buy a sari, it’s usually a long process—you get the sari fabric at one store, have a blouse tailored somewhere else, and purchase a petticoat at yet another store,” says Sethi. It’s a complex dance through stores and tailors to score a sari, and not an item of clothing you throw on quickly. “But its a piece of fabric that has become iconic, and there are so many variations,” says Sethi. “Saris are so important, and certainly worthy of a celebration.”

With the advent of invaders and the subsequent colonization, Indian women and their attire saw a considerable change. Today, a plunging neck or a visible midriff causes aunties and uncles to stop and stare. A deeper understanding of the history of the saree and methods of draping shows how women back then draped their sarees bare-breasted. The norm of wearing blouses only started with the coming of the Mughals. This thought became more pronounced with the British coming in; their idea of the uncivilized and untamed found the rationale for making it compulsory for women to wear blouses.

Silk Petalss was born from a career Investment Professional’s love for the rich heritage of Indian handcrafted textiles and artefacts. Her admiration for the beautiful heritage weaves and products saw her travelling widely through interior villages and towns of India, interacting with the weaving community and understanding their perspective and concerns. Awareness about their issues, specifically post Covid19, the need to protect the community and our rich heritage led to Silk Petalss being created. See additional information at silkpetalss.com.

We wanted to reintroduce regional ways of draping saris into contemporary Indian fashion and make the garment more accessible to the urban Indian woman. Traditionally saris were worn without blouses and most of the drapes do not have a petticoat [a long underskirt worn under the sari], Verma says. The modern urban style of wearing the sari has the garment draped around the waist a few times, pleated and tucked into the waistband of a petticoat with the loose end of the fabric, called the pallu, going across the torso and draped elegantly over the left shoulder. It is worn with a matched, fitted blouse that traces its roots to the Parsee community of India.